Criss Cross, 1948
Directed by Robert Soidmak
”All woman are bitches,” I said. She smiled at me. Her eyes were deep and black. “All woman are cheats and liars and bitches,” I told her.
“I’m not,” she said. “I’m a whore.”
“You’re different,” I said. “I mean real women.”
Criss Cross, 1934 by Don Tracy
Spicy.
Don Tracy’s double-crossing armed robbery caper about a down on his luck, love-struck, ex-boxer and his trampy ex-wife gets the “Hollywood” treatment by Soidmak in 1949.
Growin up gangster in Brooklyn is just da kind of hard knocks life ya need ta produce da two biggest tv westerns ever’. Protecting the ranch is the same as protecting the hood. Bros is Bros, right?
Dortort grew up in a Brooklyn tenement slum. As as teenager Dortort joined the Atlantic Avenue gang. Even though he was dead center in the Murder, Inc. hood, I could not find any info on this particular gang (there were as many gangs in this area of Booklyn in the 1930′s as there are Starbucks in Seattle today). Later, Dortort would revisit this life for two novels, Burial of the Fruit and Post of Honor.
Juvey delinquents were a popular “menace to society” in the 1950′s. So it’s fun to note the bizarro nature of the publishers treatment of the subject. Burial of the Fruit tale is real pulp, but the flap copy treats it like some kind of documentary on moral decay in the slums. The poor illustrator does not know what to do.
My Caption: Out for a lovely springtime row in a boat in the slums of Brooklyn, the teenage killer (the one that looks like a fed) is about to grab Trixie’s naughty “ciggie”.