Fritz Lang, The Blue Gardenia

Published on Oct 6th, 2011 by

The Blue Gardenia, original vintage half sheet

The Blue Gardenia, 1953, Directed by Fritz Lang

Based on the short story Gardenia , by Vera Caspary  (Laura)

Price: $75.00

Fritz Lang, the monocle wearing “Master of Darkness” and director of the Steampunk masterpiece * “Metropolis” could also churn out some melodramatic clunkers.

Fritzy is SOOO Steam Punk!

After “fleeing” Berlin with all his moola intact, Fritzy decamped in Paris, then Hollywood in 1936. His first American film “Fury”,  instantly cemented his auteur status.

In the years that followed, Lang, more than any other director, influenced  the development of film noir style in America. Lang’s dour, depressing, dark depiction of life combined with the sheer volume of flickage set the mode. What set Lang apart from a lot of other dour, dark and depressing German directors was his ability to make his films suspenseful and watchable.

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Fritz Lang, The Lipstick Murders

Published on Feb 16th, 2011 by

While The City Sleeps, Window Card

(click here to enlarge)

Price: $425.00

While The City Sleeps is based on a 1952 novel by Charles Einstein, The Bloody Spur. Charles Einstein is a famous “Einstein”. Not the smart Einsteins. Not the bagel Einsteins. The secret Hollywood Einsteins. One half-brother, Bob Einstein, is Super Dave Osborn, and the other half-brother, Albert Einstein, is Albert Brooks. Pretty Cool.  Charles Einstein (no secret identity) was a Chicago sports writer that specialized in writing about gambling and baseball. But in 1952, he took a leap and wrote a book about the lurid Chicago Lipstick murders. At one murder scene the killer left a  message scrawled in red lipstick:

For heavens

sake catch me

before I kill more

I cannot control myself.

The book was a mega- hit.

Hollywood came knocking. Fritz Lang signed a 2-picture deal with Einstein. However, by the time he and his screen writer were done in 1956, changes were made. Less emphasis on the murderer (John Barrymore, Jr.*), more on the rakish news crews.

Lang skewers the media mercilessly with his accomplished cast of newsy narcissists. By the end of the film most feel more sympathy for the wacko sex crazed killer than the line-up of back-stabbing reporters in a killer finding contest. So TMZ!

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